<a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Netflix Yu Yu Hakusho</a>

<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Netflix『幽☆遊☆白書』</a>

Manga : Yoshihiro Togashi “Yu Yu Hakusho” (Shueisha Jump Comics)

冨樫義博「幽☆遊☆白書」（ジャンプ・コミックス刊）

Takumi Kitamura, Jun Shison, Kanata Hongo, Shuhei Uesugi, Sei Shiraishi, Kotone Furukawa, Ai Mikami, Hiroya Shimizu, Keita Machida, Meiko Kaji, Kenichi Takito, Goro Inagaki, Go Ayano

北村匠海　志尊淳　本郷奏多　上杉柊平白石 聖　古川琴音　見上愛　清水尋也町田啓太　梶芽衣子　滝藤賢一稲垣吾郎　綾野 剛

Producer: Akira MORII
Line Producer: Kazuya SHIMOMURA
VFX Producer: Tomofumi AKAHANE
Post Production Supervisor: Norimasa ISHIDA


プロデューサー：森井輝
ラインプロデューサー：下村和也
VFXプロデューサー：赤羽智史
ポスプロスーパーバイザー：石田記理

Yu Yu Hakusho

「幽☆遊☆白書」

Based on the original graphic novel “Alice in Borderland” by Haro Aso, published by Shogakukan Inc.

麻生羽呂「今際の国のアリス」（小学館「少年サンデーコミックス」刊）

Akira Morii, Tomoki Takase (THE SEVEN)

森井輝　高瀬大樹　（THE SEVEN）

Producer: Akira MORII, Tomoki TAKASE
VFX Producer: Tomofumi AKAHANE
Post Production Supervisor: Norimasa ISHIDA

プロデューサー：森井輝　高瀬大樹
VFXプロデューサー：赤羽智史
ポスプロスーパーバイザー：石田記理

Alice in Borderland Season3

「今際の国のアリス」シーズン3

One of Japan’s most acclaimed producers of live-action series and movies. Starting with the film Maborosi (1995), Morii has been involved in producing hit movies including Kids Return (1996) and Blood and Bones (2004). He joined Robot Communications Inc. in 2009 and produced a number of well-received series, including MOZU (2014) – which was nominated for Best Drama Series at the 43rd International Emmy Awards. He developed and produced the hit series <a href="https://www.robot.co.jp/special/aliceinborderland/en.html" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland</a> (2020) – with the first season streaming world-wide as a Netflix original series. The show ranked among the Top-10 Most Viewed Series in multiple countries, including South Korea, Thailand, France, and Germany. After starting his own production company, Plus One Entertainment, Morii produced <a href="https://www.robot.co.jp/special/aliceinborderlandseason2/en.html" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland Season 2</a> (2022), <a href="https://www.netflix.com/jp-en/title/81464329" target="_blank" rel="noopener noreferrer nofollow">Zom 100: Bucket List of the Dead</a> (2023), and <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">YuYu Hakusho</a> (2023) for Netflix. <a href="https://www.robot.co.jp/special/aliceinborderlandseason2/en.html" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland Season 2</a> became the No.1 most viewed Netflix original series from Japan. <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023) has become the biggest global hit ever for a series from Japan, captivating audiences worldwide in the first week since its global release. It debuted at #1 in the Netflix Weekly Global Top 10 Non-English TV List, and secured the second spot across both English and non-English categories. In addition, the series also made the Top 10 in 92 countries and regions around the world. Joined THE SEVEN in August 2022.

1995年「幻の光」を皮切りに「キッズ・リターン」「血と骨」など多くの映画制作に従事。2009年株式会社ロボットに入社し「MOZU」（国際エミー賞にノミネート）など数々のシリーズヒットコンテンツをプロデュースする。2020年には自ら企画した「<a href="https://www.robot.co.jp/special/aliceinborderland/" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」が全世界配信され、日本以外にも韓国・タイ・フランス・ドイツほか多くの国で視聴回数TOP10入りを果たす。独立し株式会社PlusOneEntertainmentを立ち上げ後も「<a href="https://www.robot.co.jp/special/aliceinborderlandseason2/" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」シーズン2、「<a href="https://www.netflix.com/jp/title/81464329" target="_blank" rel="noopener noreferrer nofollow">ゾン100〜ゾンビになるまでにしたい100のこと〜</a>」、「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」など話題作を手掛ける日本有数のヒットメーカーである。「<a href="https://www.robot.co.jp/special/aliceinborderlandseason2/" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」シーズン2配信開始直後には、非英語テレビシリーズ部門でシーズン2が首位、シーズン1が2位と上位を独占。視聴時間では日本発作品の最高記録を更新。「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」は、Netflix週間グローバルTOP10（非英語シリーズ）初登場１位、さらに英語を含む全言語シリーズ作品で日本発シリーズ歴代最高全世界２位、世界92の国・地域で今日のシリーズTOP10入りを記録した。2022年8月よりTHE SEVEN所属。

Takase has a proven track record in the field of film productions, including Library Wars (2013-2015), The Big Bee (2015), Museum (2016), Let&apos;s Go Jets (2017), Ajin Demi-Human (2017), and Stolen Identity (2018), and worked as a line producer for the global Netflix hit <a href="https://www.robot.co.jp/special/aliceinborderland/en.html" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland</a> (2020) and <a href="https://www.robot.co.jp/special/aliceinborderlandseason2/en.html" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland Season 2</a> (2022), and as a producer for Alice in Borderland Season 3. He joined THE SEVEN in August 2022.

2003年より制作業務に携わる。「図書館戦争」シリーズや「天空の蜂」「ミュージアム」「チア☆ダン」「亜人」「スマホを落としただけなのに」など数多くの話題作・ヒット映画の制作を担当。世界的ヒットとなったNETFLIX「<a href="https://www.robot.co.jp/special/aliceinborderland/" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」および「<a href="https://www.robot.co.jp/special/aliceinborderlandseason2/" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリスSeason2</a>」ではラインプロデューサー、Season3ではプロデューサーを務める。2022年8月よりTHE SEVEN所属。

Inoue’s career began at Asahi Shimbun and the Shiki Theater Company, then took a position as a drama and film producer at a premium pay TV platform, WOWOW. While there, Inoue was involved in the launch of the original drama series Drama W (2003), produced Double Face (2012), MOZU (2014), and numerous film adaptations of best-seller novels, including Samayou Yaiba (2021) by Keigo Higashino, which won Best Picture at the JSBA Awards. His produced feature film Parade (2010) won the FIPRESCI Prize at the 60th Berlin International Film Festival, and drama series Heaven’s Ark (2012) was nominated for Best TV Movie or Miniseries at the 41st International Emmy Awards. Inoue later produced MOZU (2014), which was nominated for Best Drama Series at the 43rd International Emmy Awards. After his tenure at WOWOW, Inoue participated in the launch of a new satellite broadcasting station and worked as Content Producer at a major entertainment agency. Joined THE SEVEN in July 2023.

朝日新聞社、劇団四季からWOWOWへ。オリジナルドラマシリーズ「ドラマW」の立ち上げに携わり、TBS×WOWOW共同制作「ダブルフェイス」（東京ドラマアウォード2013グランプリ）、「MOZU」シリーズや、東野圭吾原作・連続ドラマ「さまよう刃」（衛星放送協会オリジナル番組アワード最優秀賞）など数々の人気作家原作の映像化をプロデュース。映画「パレード」で第60回ベルリン国際映画祭国際批評家連盟賞受賞、ドラマでは「天の方舟」、「MOZU」シリーズにおいて国際エミー賞にノミネート。WOWOW退社後、新BS放送局開局事業への参加、大手芸能事務所におけるコンテンツ制作等を経て、2023年7月よりTHE SEVEN所属。

Shimomura spent his early career as a magazine writer and an assistant director for non-scripted TV shows. As a freelance scripted-content production staff, he was involved in numerous blockbusters, including Shizumanu Taiyo (The Never-Setting Sun, 2009),  Parasyte: Part 1 (2014), Parasyte: Part 2 (2015), A Man Called Pirate (2016), March Comes in Like a Lion 1 and 2 (2017). Shimomura worked as a line producer for Million Dollar Man (2018), The Fable: The Killer Who Doesn&apos;t Kill (2021)  and the Netflix series <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">YuYu Hakusho</a> (2023). <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho </a>(2023) has become the biggest global hit ever for a series from Japan, captivating audiences worldwide in the first week since its global release. It debuted at #1 in the Netflix Weekly Global Top 10 Non-English TV List, and secured the second spot across both English and non-English categories. In addition, the series also made the Top 10 in 92 countries and regions around the world. Joined THE SEVEN in January 2024.

雑誌記者、テレビのバラエティ番組のADなどのキャリアを経て、フリーランスの制作スタッフとして「沈まぬ太陽」、「寄生獣」、「寄生獣 完結編」、「海賊とよばれた男」、「3月のライオン 前編／後編」など、多くの大作映画や話題作で制作に従事する。「億男」でラインプロデューサー業務の一旦を担ったのち、映画「ザ・ファブル　殺さない殺し屋」、Netflixシリーズ「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」でラインプロデューサーを務める。「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」は、Netflix週間グローバルTOP10（非英語シリーズ）初登場１位、さらに英語を含む全言語シリーズ作品で日本発シリーズ歴代最高全世界２位、世界92の国・地域で今日のシリーズTOP10入りを記録した。2024年1月よりTHE SEVEN所属。

Sekiguchi started his career at a video production industry in 2002, producing numerous music videos, and joined FILM,INC., a film and TV production company. He worked as an assistant producer for hit content including the movies Midsummer&apos;s Equation (2013), Poison Berry in My Brain (2015), Nobunaga Concerto: The Movie (2016), and the drama series Miss PILOT (2013). Then as a line producer for the movie Mixed Doubles (2017), Fly Me to the Saitama (2019), and as a a cooperative producer for the drama series The Confidence Man JP (2019). Moved to another film production company, sekiguchi planned and produced the film The Water Flows to the Sea (2023). Joined THE SEVEN in April 2024.

2002年より映像業界でのキャリアをスタートさせ、多数のミュージックビデオの制作を経て、2011年株式会社FILMに所属。映画「真夏の方程式」「脳内ポイズンベリー」「信長協奏曲」、連続ドラマ「ミス・パイロット」など数々のヒット映画や連続ドラマでAPを務めた後、映画「ミックス。」「翔んで埼玉」ではラインプロデューサー、連続ドラマ「コンフィデンスマンJP」では協力プロデュースを担当。その後、映画製作会社に移り、映画「水は海に向かって流れる」の企画・プロデュースなどを手掛ける。2024年4月よりTHE SEVEN所属。

Raised in Breckenridge, Colorado, Sakaguchi has a unique background as a former professional skier and a Michelin Star bartender. After working as a singer-songwriter, actor, and a voice-over artist in Los Angeles, Sakaguchi moved to Tokyo in 2023 and started working in production. Recent works in Japanese production include working as a VFX production assistant in Netflix’s series <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023). With a fully bilingual, bicultural understanding of both Japan and America, he is able to code switch and communicate seamlessly between the two languages. Joined THE SEVEN in July 2024.

アメリカコロラド州出身。元プロスキー選手、元ミシュラン一つ星バーテンダーという一風変わった経歴を持つ。ロサンゼルスで歌手、俳優、声優として活動後、2023年に日本へ拠点を移し、映画やドラマの製作に携わる。Netflixシリーズ「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」ではVFXプロダクションアシスタントを務める。海外での経験とバイカルチャーの知見を活かし、日本とハリウッド両業界の溝を埋め、橋渡しを目指す。2024年7月よりTHE SEVEN所属。

A leading VFX producer in the Japanese film industry, Akahane started his career at IMAGICA in 2002, and has been involved in the blockbuster films including Assassination Classroom (2015-2016), Chihayafuru (2016-2018), Honnouji Hotel (2017), Tonight, at the Movies (2018), Fly Me to the Saitama (2019), The Confidence Man JP (2019), AI Amok (2020), and <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023). <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho </a>(2023) has become the biggest global hit ever for a series from Japan, captivating audiences worldwide in the first week since its global release. It debuted at #1 in the Netflix Weekly Global Top 10 Non-English TV List, and secured the second spot across both English and non-English categories. In addition, the series also made the Top 10 in 92 countries and regions around the world. He started working freelance in 2019, and joined THE SEVEN in September 2022.

2002年株式会社IMAGICA入社。2012年よりVFXプロデューサーとして日本映画のフィールドで活動。これまでに「暗殺教室」「ちはやふる」「本能寺ホテル」「今夜ロマンス劇場で」「翔んで埼玉」「コンフィデンスマンJP」「AI崩壊」「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」など多くのヒット映画を担当する。「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」は、Netflix週間グローバルTOP10（非英語シリーズ）初登場１位、さらに英語を含む全言語シリーズ作品で日本発シリーズ歴代最高全世界２位、世界92の国・地域で今日のシリーズTOP10入りを記録した。2019年よりフリーランスとして活動後、2022年9月よりTHE SEVEN所属。

Murakami started his career at Nabla in 1998, then worked for Studio LiNDA and other production companies. After joining StudioBUCKHORN in 2012, he worked as a VFX supervisor in numerous blockbuster films and series including Mumon: The Land of Stealth (2017), The Naked Director Season 1 (2019), Keep Your Hands Off Eizouken! (2020), and Tokyo Revengers (2021). His work as a VFX supervisor in Keep Your Hands Off Eizoken! (2020) received three domestic VFX awards from VFX-JAPAN, MPTE, and CG-WORLD. After transferring over to Megalis in 2022, Murakami worked as an associate VFX supervisor for <a href="https://www.netflix.com/jp-en/title/81464329">Zom 100: Bucket List of the Dead</a> (2023). Joined THE SEVEN in January 2024.

1998年ナブラ入社後、Studio LiNDA、他プロダクションなどを経て、2012年スタジオ・バックホーンに所属。VFXスーパーバイザーとして「忍びの国」、「全裸監督」Season 1、「映像研には手を出すな！」(VFX-JAPAN、MPTE、CG-WORLD アワード トリプル受賞)、「東京リベンジャーズ」他、多数の映画・シリーズ作品へ参加。2022年Megalisに移籍し、「<a href="https://www.netflix.com/jp/title/81464329">ゾン100〜ゾンビになるまでにしたい100のこと〜</a>」ではアソシエイトVFXスーパーバイザーを務める。2024年1月よりTHE SEVEN所属。

Yamane joined the technology department of TBS (Tokyo Broadcasting System) Television in 2012. Worked as a camera and technical director mainly on music and variety/comedy shows, including Japan Record Awards, Christmas Promise, CDTV! LIVE LIVE and All-Star Thanksgiving Festival. After being assigned to THE SEVEN in February 2023, Yamane worked as a VFX coordinator on Netflix series <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023) etc.

2012年TBSテレビに技術職として入社。「輝く！日本レコード大賞」「クリスマスの約束」「CDTV ライブ！ライブ！」「オールスター感謝祭」など、音楽・バラエティ番組を中心にカメラ・テクニカルディレクターを担当。2023年2月よりTHE SEVENに出向し、Netflixシリーズ「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」などでは、VFXコーディネーターを担当。

Starting his career at IMAGICA in 1995, Ishida was assigned to the Film Color Grading Lab TIMING, and was involved in the production of films such as Swing Girls (2004), Tony Takitani (2005), and What the Snow Brings (2005). In 2008, Ishida transferred to the General Quality Control dept., and worked on production process management and quality improvement. In 2011, with the rise of digital cinema cameras and the diversification of post-production work, he took a position as a technical director, creating workflow and facilitating process and quality control within each operation. His post-production works cover all genres from block-buster live-action, animation films, to TV series such as Chihayafuru (2016-2018), HiGH&amp;LOW (2016-2022), The Confidence Man JP (2019), The Wandering Moon (2022), <a href="https://www.netflix.com/jp-en/title/80200575" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland</a> (2020), THE DAYS (2023), <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023), What Did You Eat Yesterday? (2019-), silent (2022) and Suzume (2022). <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a> (2023) has become the biggest global hit ever for a series from Japan, captivating audiences worldwide in the first week since its global release. It debuted at #1 in the Netflix Weekly Global Top 10 Non-English TV List, and secured the second spot across both English and non-English categories. In addition, the series also made the Top 10 in 92 countries and regions around the world. Joined THE SEVEN in July 2023.

1995年株式会社IMAGICAに入社し、フィルムの色彩調整部門タイミングに所属。「スウィングガールズ」「トニー滝谷」「雪に願うこと」等、映画を中心に担当する。2008年より総合品質保証部門に所属し、各工程管理及び品質の維持向上に努める。2011年よりデジタルシネマカメラの隆盛、ポスプロ作業の多様化に伴い、ワークフローの作成と各作業における工程：品質管理を行うテクニカルディレクターとして活動開始。「ちはやふる」「HiGH＆LOW」「コンフィデンスマンJP」「流浪の月」「<a href="https://www.netflix.com/jp/title/80200575" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」「THE DAYS」「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」「きのう何食べた？」「silent」「すずめの戸締まり」他、映画、OTT、ドラマ、アニメ等ジャンルを問わず多くの映像作品に参加。「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」は、Netflix週間グローバルTOP10（非英語シリーズ）初登場１位、さらに英語を含む全言語シリーズ作品で日本発シリーズ歴代最高全世界２位、世界92の国・地域で今日のシリーズTOP10入りを記録した。2023年7月よりTHE SEVEN所属。

Miyajima started her career with conforming work on Japanese film production at IMAGICA in 2009. After 2014, she was engaged in several coordination work for post-production on films and drama productions, including grading, editing, audio post-production, and arranging staff schedules. She has worked on the films Princess Toyotomi, Wild 7, OVER DRIVE, the Netflix film <a href="https://www.netflix.com/jp-en/title/81464329" target="_blank" rel="noopener noreferrer nofollow">Zom 100: Bucket List of the Dead</a>, the Netflix series <a href="https://www.netflix.com/jp-en/title/80200575" target="_blank" rel="noopener noreferrer nofollow">Alice in Borderland</a>, <a href="https://www.netflix.com/jp-en/title/81243969" target="_blank" rel="noopener noreferrer nofollow">Yu Yu Hakusho</a>, and many others. Joined THE SEVEN in April 2024.

2009年に株式会社IMAGICAへ入社。邦画作品のコンフォーム作業を担当。その後、2014年より邦画・ドラマ作品のポスプロ作業における、グレーディング・本編集・MA・スタッフのスケジュール調整などのコーディネート業務に従事する。映画「プリンセス・トヨトミ」、「ワイルド７」、「OVER DRIVE」、Netflix映画「<a href="https://www.netflix.com/jp/title/81464329" target="_blank" rel="noopener noreferrer nofollow">ゾン100〜ゾンビになるまでにしたい100のこと〜</a>」、Netflixシリーズ「<a href="https://www.netflix.com/jp/title/80200575" target="_blank" rel="noopener noreferrer nofollow">今際の国のアリス</a>」、「<a href="https://www.netflix.com/jp/title/81243969" target="_blank" rel="noopener noreferrer nofollow">幽☆遊☆白書</a>」など、多数の作品に携わる。2024年4月よりTHE SEVEN所属。

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